Publié depuis Eklablog

GRAMMYS* AWARDS

JOHN WILLIAMS a remporté 27 GRAMMYS AWARDS sur 77 NOMINATIONS.

1962

CHECKMATE.

Best soundtrack album or recording or score from motion picture or television. NOMINATION.

1975

JAWS.

Best album of original score written for a motion picture. GRAMMY*.

1977

STAR WARS. 3 GRAMMYS* :

Best pop instrumental performance.

Best instrumental composition "MAIN TITLE" from STAR WARS.

Best album of original score written for a motion picture.

1978

CLOSE ENCOUNTERS OF THE THIRD KIND. 2 GRAMMYS* :

Best instrumental composition "THEME" from CLOSE ENCOUNTERS OF THE THIRD KIND.

Best album of original score written for a motion picture.

1979

SUPERMAN. 2 GRAMMYS* :

Best instrumental composition "MAIN TITLE THEME" from SUPERMAN.

Best album of original score written for a motion picture.

1980

STAR WARS EPISODE V: THE EMPIRE STRIKES BACK. 2 GRAMMYS* :

Best instrumental composition.

Best album of original score written for a motion picture.

1981

RAIDERS OF THE LOST ARK.

Best album of original score written for a motion picture. GRAMMY*.

1982

E.T. THE EXTRA-TERRESTRIAL. 3 GRAMMYS* :

Best instrumental composition "FLYING" (THEME from E.T.).

Best album of original score written for a motion picture.

Best arrangement on an instrumental recording "FLYING" (THEME from E.T.).

1984

OLYMPIC FANFARE AND THEME.

Best instrumental composition. GRAMMY*.

STAR WARS EPISODE VI: RETURN OF THE JEDI.

Best instrumental composition written for a motion picture or for television. NOMINATION.

1988

THE WITCHES OF EASTWICK. 

Best instrumental composition written for a motion picture or for television. NOMINATION.

1989

EMPIRE OF THE SUN.

Best instrumental composition written for a motion picture or for television. NOMINATION.

1990

INDIANA JONES AND THE LAST CRUSADE.

Best instrumental composition written for a motion picture or for television. NOMINATION.

1992

"SOMEWHERE IN MY MEMORY" (with LESLIE BRICUSSE) from HOME ALONE.

Best song written specifically for a motion picture or for television. NOMINATION.

1993

SCHINDLER'S LIST.

Instrumental composition for a motion picture or television. GRAMMY*.

HOOK.

Best instrumental composition written for a motion picture or for television. NOMINATION.

1994

JURASSIC PARK.

Best instrumental composition written for a motion picture or for television. NOMINATION.

1997

"MOONLIGHT" (with ALAN & MARILYN BERGMAN) from SABRINA.

Best song written specifically for a motion picture or for television. NOMINATION.

1998

SEVEN YEARS IN TIBET.

Best instrumental composition written for a motion picture or for television. NOMINATION.

THE LOST WORLD: JURASSIC PARK.

Best instrumental composition written for a motion picture or for television. NOMINATION.

1999

SAVING PRIVATE RYAN.

Best instrumental composition written for a motion picture or for television. GRAMMY*.

AMISTAD.

Best instrumental composition written for a motion picture or for television. NOMINATION.

2000

"THEME" from ANGELA'S ASHES.

Best instrumental composition. GRAMMY*.

STAR WARS EPISODE I: THE PHANTOM MENACE.

Best score soundtrack album for motion picture, television or other visual media. NOMINATION.

2002

A.I. ARTIFICIAL INTELLIGENCE.

Best score soundtrack album for motion picture, television or other visual media. NOMINATION.

2003

HARRY POTTER AND THE SORCERER'S STONE.

Best score soundtrack album for motion picture, television or other visual media. NOMINATION.

2004

CATCH ME IF YOU CAN.

Best score soundtrack album for motion picture, television or other visual media. NOMINATION.

HARRY POTTER AND THE CHAMBER OF SECRETS.

Best score soundtrack album for motion picture, television or other visual media. NOMINATION.

2005

HARRY POTTER AND THE PRISONER OF AZKABAN.

Best score soundtrack album for motion picture, television or other visuel media. NOMINATION.

2006

STAR WARS EPISODE III: REVENGE OF THE SITH.

Best score soundtrack album for motion picture, television or other visual media. NOMINATION.

2007

MEMOIRS OF A GEISHA.

Best score soundtrack album for motion picture, television or other visual media. GRAMMY*.

MUNICH.

Best score soundtrack album for motion picture, television or other visual media. NOMINATION.

"A PRAYER FOR PEACE" (THEME from MUNICH). Best instrumental composition. GRAMMY*.

2009

INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULL.

"THE ADVENTURES OF MUTT" (from INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULL).

Best instrumental composition. GRAMMY*.

Best score soundtrack album for motion picture, television or other visual media. NOMINATION.

2012

THE ADVENTURES OF TINTIN : THE SECRET OF UNICORN.

Best score soundtrack for visual media. NOMINATION.

2013

LINCOLN.

Best score soundtrack for visual media. NOMINATION.

2014

THE BOOK THIEF.

Best instrumental composition. GRAMMY*

2017

STAR WARS : THE FORCE AWAKENS.

Best score soundtrack for visual media. GRAMMY*

2018

CATCH ME IF YOU CAN :

ESCAPADES FOR ALTO SAXOPHONE AND ORCHESTRA.

(Album : JOHN WILLIAMS - STEVEN SPIELBERG THE ULTIMATE COLLECTION. Disc 3 THE SPIELBERG / WILLIAMS COLLABORATION PART III )

Best arrangement, instrumental or a cappella. GRAMMY*

2019

STAR WARS : THE LAST JEDI.

Best score soundtrack for visual media. NOMINATION 

SOLO : A STAR WARS STORY.

"MINE MISSION" (from SOLO : A STAR WARS STORY)

Best instrumental composition. NOMINATION

(avec JOHN POWELL)

2020

STARS WARS : GALAXY'S EDGE SYMPHONIC SUITE.

Best instrumental composition. GRAMMY*

HEDWIG'S THEME.

(Album : "ACROSS THE STARS" Arrangement pour ANNE SOPHIE MUTTER, violon )

Best arrangement, instrumental or a cappella. NOMINATION

2021

STAR WARS : THE RISE OF SKYWALKER.

 Best score soundtrack for visual media. NOMINATION

2023

INDIANA JONES AND THE DIAL OF DESTINY. 

Best score soundtrack for visual media. NOMINATION

Best instrumental composition "Theme from Helena"  GRAMMY*

THE FABELMANS.

Best score soundtrack for visual media. NOMINATION 

2026

MUSIC BY JOHN WILLIAMS. 

Best music film "MUSIC BY JOHN WILLIAMS"  GRAMMY*

* GRAMMY(S) AWARD(S) sont des marques déposer par THE RECORDING ACADEMY sous licence de la NATIONAL ACADEMY OF RECORDING ARTS AND SCIENCES.